Few writers have inspired as much affection and interest among readers, young and old,
as Lloyd Alexander. Few writers have won so many literary honors. At one point, however,
it seemed unlikely that he would ever be a writer at all.
"My parents were horrified when I told them I wanted to be an author,"
Alexander recalls. "I was fifteen, in my last year of high school. My family pleaded
with me to forget literature and do something sensible, such as find some sort of useful
work.
"I had no idea how to find work, useful or otherwise. In fact, I had no idea how
to become an author. If reading offered any preparation for writing, there were grounds
for hope. I had been reading as long as I could remember.
Shakespeare, Dickens, Mark Twain, and so many others were my dearest friends and
greatest teachers. I loved all the world's mythologies; King Arthur was one of my heroes;
I played with a trash can lid for a knightly shield and my uncle's cane for the sword
Excalibur. But I was afaid that not even Merlin the enchanter could transform me into a
writer."
His parents could not afford to send him to college. And so, when a Philadelphia bank
had an opening for a messenger boy, he went to work there, feeling, he says, "like
Robin Hood chained in the Sheriff of Nottingham's dungeon. As a would-be writer, I thought
it was a catastrophe. As a bank employee, I could barely add or subtract, and had to count
on my fingers."
Finally,
having saved some money, he quit and went to a local college. Dissatisfied with not having
not learned enough to be a writer, he left at the end of one term. Adventure, he decided,
was the best way. The United States had already entered World War II. Convinced that here
was a chance for real deeds of derring-do, he joined the army - and was promptly shipped
to Texas, where he became, in disheartening succession, an artilleryman, a cymbal player
in the band, an organist in the post chapel, and a first-aid man. At last, he was assigned
to a military intelligence center in Maryland.
There he trained as a member of a combat team to be parachuted into France to work with
the Resistance. "This, to my intense relief, did not happen," says Alexander.
"Adventurous in imagination, a real parachute jump would have scared me out of my
wits."
Instead, Alexander and his group sailed to Wales to finish their training. This
ancient, rough-hewn country, with its castles, mountains, and its own beautiful language
made a trememdous impression on him. But not until years later did he realize he had been
given a glimpse of another enchanted kingdom.
Alexander was sent to Alsace-Lorraine, the Rhineland, and southern Germany. When the
war ended, he was assigned to a counterintelligence unit in Paris. later he was discharged
to attend the University of Paris. While a student, he met a beautiful Parisian girl,
Janine, and they soon married. Life abroad was fascinating, but eventually Alexander
longed for home. "If I was to write anything worthwhile," he says, "I would
have to be closer to my own roots."
The young couple went back to Drexel Hill, near Philadelphia, where Alexander wrote
novel after novel which publishers unhesitatingly turned down. To earn his living, he
worked as a cartoonist, advertising writer, layout artist, and associate editor for a
small magazine. It took seven years of constant rejection before his first novel was at
last published.
During the next ten years, he wrote for adults. And then he began writing for young
people. It was, Alexander says, "the most creative and liberating experience of my
life. In books for young people, I was able to express my own deepest feeling far more
than I ever could when writing for adults."
Doing historical research for Time Cat, he discovered
material on Welsh mythology. As Alexander says, "It was as if all the hero tales,
games, dreams, and imaginings of my childhood had suddenly come back to me." The
result was The
Book of Three and the other chronicles of Prydain, the imaginary kingdom being
something like the enchanted land of Wales. In The
Remarkable Journey of Prince Jen, Alexander explored yet another fantastic world.
Evoking an atmosphere of ancient China, this unique multi-layered novel was critically
acclaimed as one of his finest works. Trina Schart Hyman illustrated The
Fortune-tellers as a Cameroonian folktale sparkling with vibrant images, keen
insight, and delicious wit.
Most of the books have been written in the form of fantasy. But fantasy, Alexander
believes, is merely one of many ways to express attitudes and feelings about real people,
real human relationships and problems. "My concern is how we learn to be genuine
human beings. I never have found out all I want to know about writing and realize I never
will. All that writers can do is keep trying to say what is deepest in their hearts. If
writers learn more from their books than do readers, perhaps I may have begun to
learn."